I create brave, playful, and imaginative spaces where people of all ages can reconnect with their creativity, express their truth, and imagine new possibilities for themselves and their communities.
My work blends drama therapy techniques, storytelling, movement, and ritual to foster self-expression, healing, and connection. I work with all ages! From early childhood to older adults.
With over 12 years of experience as an educator and facilitator in the performing arts, I support individuals and communities through transformative creative journeys rooted in care, collaboration, and belonging.
Young children in developing social-emotional learning skills, imagination, and self-regulation through creative play and drama-based activities
Adults seeking to reconnect to their creative voice and healing growth through the creative arts.
Communities and organizations ready to deepen connection and collaboration through experiential learning.
Lauren E.
Director of Education - The Learning Experience
Emily W.
National Council for Geocosmic Research (NCGR) Membership Secretary
Theatre creates belonging. In my workshops and programs, people of all backgrounds, abilities, and identities come together to connect, collaborate, and create. Storytelling is one of the oldest ways humans have built community, and theatre gives us that same ritual space, where laughter, play, and shared stories remind us we are not alone. I design spaces where participants feel seen, valued, and part of something bigger than themselves.
Theatre is more than performance, it’s a doorway into imagination and self-discovery. I guide participants into the “play space,” where they can try on new ways of being, release emotions, and find meaning in their stories. Through role play, poetry, music, art, mask work and movement, people can safely express what feels too big or too hard to say outright. This process nurtures resilience, emotional awareness, and joy. In a world that often feels isolating, theatre becomes a source of healing connection.
“The theater itself is not revolutionary: it is a rehearsal for the revolution” Augusto Boal.
Theatre doesn’t just reflect life, it gives us a chance to rehearse new possibilities. Using applied theatre practices, Augusto Boal’s Theatre of the Oppressed, process dramas, and collaborative playbuilding, I help groups explore social issues, challenge assumptions, and imagine new ways forward. Participants step into different perspectives, build empathy, and practice change in action. Theatre becomes both a mirror and a tool, a way to embody the world we want to create together.